Utterly reduced movability and tension of a physical body set in an abandoned factory plant. In an empty machineless space a human body is attuned to the working rhythm of archaic pulsation. Slow and hyper-controlled movements strive to maintain cohesion, but the shedding of the surface layers represents the unstoppable process of dematerialization. Body positions point to collective memory of the physical structure of things disappearing in the intense cold of the calculus. The traumatic position of the corporal is revealed by the circular, unstoppable movement towards the data conversion of the material world. Most of the film soundtrack is created by interventions on the audio track of breathing during the performance without the presence of an audience.
Vladislav Knežević
Studied TV and film directing at the Zagreb Academy of Dramatic Arts and De Vrije Academie (Audio-visual Dept.) in Den Haag. Professionally works as a freelance director for TV and various productions since 1993. Started to work in the fields of experimental film, video and sound in 1988. Initiator and founder of the programme Reference to Difference, TV show on film and video Videodrome and the International film festival of experimental film and video 25 FPS.
